Key Highlights
- Theatrical Debut: Nathan Fielder and Lance Oppenheim’s nearly three-hour documentary, You Can See Everything, chronicling Elizabeth Holmes’ final 34 days of freedom before prison, is officially playing in theaters.
- Surprise Cameos and Format: Alongside intimate fly-on-the-wall household footage, the documentary features Amanda Seyfried and Christopher Abbott performing dramatic re-enactments of Fielder’s real-life interactions with Holmes and Billy Evans.
- Unfiltered Access: The R-rated project features full frontal nudity of Billy Evans in a shower sequence, though neither Holmes nor Evans has viewed the finished film following a breakdown in communication around the winter of 2025.
Inside Nathan Fielder and Lance Oppenheim’s ‘You Can See Everything’
Following high-profile screenings that built intense anticipation across the festival circuit—starting at the Telluride Film Festival and continuing through its New York Film Festival (NYFF) premiere—comedian Nathan Fielder’s unconventional documentary You Can See Everything is now officially playing in movie theaters. Co-directed by Fielder alongside filmmaker Lance Oppenheim (Primetime), the feature runs nearly three hours and offers audiences an unvarnished examination of convicted Theranos founder Elizabeth Holmes immediately prior to her incarceration for fraud.
The film captures the final 34 days of Holmes’ freedom, utilizing immersive, fly-on-the-wall footage inside the rental property she shared with her partner, Billy Evans, and their young children. Fielder takes up residence alongside the family, combining natural observation with direct, probing interviews featuring Holmes, Evans, and Holmes’ parents. The documentary earned its R rating primarily due to scenes of full frontal nudity, which occur when Evans is filmed while showering inside the couple’s shared rental residence.
Shifting Personas, Meta Re-enactments, and Amanda Seyfried’s Involvement
For longtime followers of Fielder’s work in projects like Nathan for You and The Rehearsal, You Can See Everything showcases a noticeable evolution in his on-camera demeanor. Rather than maintaining his hallmark deadpan, comedically wooden posture throughout, Fielder presents a more expressive persona, frequently breaking into smiles, offering skeptical expressions, and openly challenging statements while still leveraging social discomfort to dissect interactions.
One of the project’s most surreal creative departures involves actor Amanda Seyfried, who previously won an Emmy Award for her portrayal of Elizabeth Holmes in the Hulu limited series The Dropout. Despite initially appearing to distance herself from rumors about the production while on the red carpet for the Toronto International Film Festival premiere of The Life and Deaths of Wilson Shedd, Seyfried plays a direct role in the film. Speaking previously to Entertainment Tonight about the project, Seyfried stated: It’s Nathan Fielder, and I know what he does. It’s wild. And everybody’s saying it’s wild. So, I don’t know. I want to know more.
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Beyond featuring scenes where Fielder pushes Holmes to watch episodes of The Dropout alongside him on camera, the documentary incorporates Seyfried directly into its analytical process. Fielder brought Seyfried in to break down his personal exchanges with Holmes. Subsequently, Seyfried stepped back into the role of Holmes to perform scripted re-enactments of those authentic conversations, paired alongside actor Christopher Abbott, who was cast to portray Billy Evans.
The Ambiguity of Truth in the Final Days
The central tension driving the final act of You Can See Everything revolves around deception and the fallibility of perspective. The documentary questions whether Holmes is actively manipulating or lying to Fielder, while also interrogating Fielder’s own emotional perspective as he reflects on his feelings regarding “Liz” and assesses whether his judgment has been clouded. The production relies on a tight aspect ratio to scrutinize micro-expressions, intentionally avoiding neat conclusions.
During an audience Q&A following the documentary’s New York Film Festival debut, Fielder and Oppenheim revealed that their own production crew was routinely divided over how to interpret specific moments and behaviors from Holmes. The directors also confirmed that the film’s narrative timeline concludes around the winter of 2025, after which communication between the filmmaking team, Holmes, and Evans completely disintegrated. As a result of this estrangement, Fielder confirmed that neither Elizabeth Holmes nor Billy Evans has watched You Can See Everything.
Why This Matters
The release of You Can See Everything marks a notable development in contemporary hybrid documentary filmmaking. By blending unscripted reality with staged meta-textual dramatizations involving major Hollywood actors, Nathan Fielder and Lance Oppenheim test the boundaries of true-crime and biographical cinema. Rather than acting as a traditional retrospective on the Theranos scandal, the film serves as an intimate study of public scandal, truth, and psychological projection during an individual’s final days before surrendering to federal custody.
Frequently Asked Questions
Is ‘You Can See Everything’ a real documentary?
Yes. You Can See Everything is a genuine documentary co-directed by Nathan Fielder and Lance Oppenheim. It documents the real 34 days leading up to Elizabeth Holmes’ prison sentence, featuring direct fly-on-the-wall footage, candid interviews with Holmes, Billy Evans, and her parents, alongside structured dramatic re-enactments.
What role does Amanda Seyfried play in the documentary?
Amanda Seyfried, who won an Emmy for portraying Holmes in Hulu’s The Dropout, appears in the film beyond mere archive footage. Nathan Fielder brought her in to analyze his off-screen conversations with Holmes and enlisted her to re-enact key moments from those interactions, acting opposite Christopher Abbott as Billy Evans.
Have Elizabeth Holmes or Billy Evans seen the completed film?
No. Co-director Nathan Fielder confirmed during a Q&A session at the New York Film Festival that neither Elizabeth Holmes nor Billy Evans has seen You Can See Everything, as communications between the filmmakers and the couple broke down around the winter of 2025.
